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Henry the Fifth: Swearing Shakespeare
Student Outcome Statement: Arts Ideas - Level 2 – Uses own ideas, experiences and observations in the making of arts works through structured activities.
Teaching/Learning Purposes/Objectives: To enable students to:
| Explore issues that exist within the set text | |
| Interpret these issues using their own language and Shakespearean examples | |
| Develop ideas for their group production |
Background planning and requirements
Major Purpose: To examine the masculine aspects of Henry the Fifth
Key Question: How does language change a scene
Inspiration: Conversation with Rohan.
The Hook: Imagine you’re directing a production of Henry the Fifth
- What’s happening? You’re replicating characteristics for your actors in Henry the Fifth.
- Who’s it happening to? Yourself, as an experienced director
- Where is it happening? In a school play
- When is it happening? During rehearsals
- What’s at stake? You must communicate to your audience the ‘subdued rebelliousness’ and ‘aggressive masculinity’ of Henry the Fifth
Resources:
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| Paper cut-outs of Shakespearean insults |
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| A small section of the script, Henry the Fifth to work with |
Lesson(s) description
- Space Jumps – Begin the class(es) by having the students act in Space Jumps, however intermittently calling out Shakespearean insults.
- Class Discussion - Identify how the insults changed the scene, how did the actors respond to the person ‘swearing’
- Identify Henry the Fifth themes – Identify key elements of the text and illustrate a linkage with current social issues
- Introduce ‘the Hook’ – In a small groups, ask students to brainstorm and perform a scene from Henry the Fifth. Highlight the important themes and issues of ‘Good King’, ‘subdued rebelliousness’ and ‘aggressive masculinity’
- Project Development – The class could eventually go on to perform the entire production; obviously increasing the Arts Ideas level to more specific detail.
- Conclusion – This could easily be a single lesson on Shakespearean swearing, or a five-week rehearsal and production. One important point must be made; Space Jumps should only be reused in the same classroom if the reason for doing so changes. Repeating the same activity over and over does not increase or develop a student’s learning.
Lesson Evaluation:
Some parts modelled upon ‘The Giant who threw Tantrums’ in John O’Toole and Julie Dunn (2002) Pretending to Learn: Helping Children learn through Drama, Longman French’s Forrest.
View other lessons plans... MacBeth: Graphic Novel Twelfth Night: Theatre Promotions
Twelfth Night: Women's Day Henry the Fifth: Swearing Shakespeare The Globe Theatre
Antony and Cleopatra: Construct a Character Character Debate Titus Andronicus: See the Emotion
The Tempest: Adaptation Shakespeare TV
...or view other 'Performing Shakespeare in the Classroom' journal entries...
Week One - Week Four Study Break One - Week Eight
Week Nine - Week Twelve Week Thirteen - Week Fourteen
...or view other journal...
Semiotics and Performance: The role of the Actor (2005) Performing Shakespeare in the Classroom (2005)
Drama and The Curriculum (Summer, 2005) Children's Theatre (2004) Acting (2004)
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Contact Andrew @ thechaseison@optusnet.com.au
This page last updated: 17th February 2006